Close Menu
globalartstory.com
    What's Hot

    Michael Aldag Finds the Sacred in What’s Been Left Behind

    August 8, 2026

    Denmaz 48: Shaping Contemporary Digital Art Through Color and Vector Illustration

    July 26, 2026

    I Ketut Jaya (Kaprus): Preserving Balinese Spiritual Heritage Through Contemporary Painting

    July 26, 2026
    globalartstory.com
    • Home
    • Artists Worldwide
    • International Desk
    • Exhibitions
    • Culture
    • Perspectives
    • Reviews
    globalartstory.com
    Home»Culture»Former Assistants Allege ‘Scary and Destabilizing’ Culture at Tom Sachs’ Studio
    Culture

    Former Assistants Allege ‘Scary and Destabilizing’ Culture at Tom Sachs’ Studio

    Arden McKennaBy Arden McKennaMarch 7, 2025Updated:July 27, 2026No Comments3 Mins Read
    Share
    Facebook Twitter LinkedIn Email

    Former studio assistants for Tom Sachs have alleged that the workplace environment created by the artist was “destabilizing and scary,” Curbed reported in an exposé published on Monday.

    Curbed said that it spoke with over a dozen former employees, almost all of whom requested anonymity due to nondisclosure agreements or fear of retaliation.

    The former assistants alleged that Sachs threw objects or screamed at employees, labeled a storage room “the rape room” (and then later changed it to “the consent room”), dispensed gifts of different values to, in Curbed‘s words, “demonstrate one’s standing” in the studio, and routinely made comments about employees’ appearance and sex life. In addition, multiple former assistants said Sachs called them “autistic,” “retarded”, or “bitch,” among other names.

    The only named former studio assistant, Owen Zoyt, told Curbed that he dropped out of college in 2021 to join the studio and spoke positively of its “tightly knit” and “fast paced environment.”

    One employee told Curbed, “It’s almost as if he goes out of his way to sow discomfort and pawns it off as if he’s a genius. It’s like a ruse. So many people out there know that he’s cruel, but the art world is tiny and no one gives a shit.”

    Sachs declined to be interviewed for the story and, in a statement to Curbed, a spokesperson for the studio “denied almost all of the allegations,” and said the behavior described by Curbed‘s sources was  “not in line with the values of our studio.” 

    Curbed‘s exposé comes just weeks after an anonymous art world couple’s job listing for an assistant went viral after the New York Times reported on the egregious list of responsibilities.

    Not long after the article was published, Artnet News speculated that the couple in question was none other than Tom Sachs and wife Sarah Hoover, a former Gagosian director. Curbed added to that speculation, with former assistants telling the publication that the job listing’s references to “systems” pointed towards Sachs, who is apparently known for the eccentric and firmly held rules that dictate the people who work for him in his household and studio.

    Some of these rules have been released by Sachs himself, in a video entitled 10 Bullets. The video shows Sachs’ studio, taped with labels and rules, from the reasonable request to put dishes away to “Always be knolling” (arranging objects at 90 degree angles). These mildly controlling, but basically benign studio rules were just the tip of the iceberg, according to Curbed.

    Tom Sachs’ studio did not immediately respond to a request for comment. A spokesperson for his gallery, Sperone Westwater, declined to comment on whether the allegations would affect their relationship with the artist.

    Share. Facebook Twitter Email LinkedIn
    Arden McKenna

    Related Posts

    Framer Framed presents The One Straw Revolution

    June 25, 2026

    Ximena Garrido Lecca Wins Miami Beach Legacy Purchase as City Highlights Year Round Cultural Role

    June 2, 2026

    Security Guards Accuse San Francisco’s de Young Museum of Abusive Workplace Culture

    May 12, 2026
    Add A Comment
    Leave A Reply Cancel Reply

    Top Posts

    Michael Aldag Finds the Sacred in What’s Been Left Behind

    August 8, 2026

    Denmaz 48: Shaping Contemporary Digital Art Through Color and Vector Illustration

    July 26, 2026

    Jenny Saville’s 2026 Solo Exhibition in Venice will Be Her Fourth Museum Show in 18 Months

    May 27, 2026
    Don't Miss

    Michael Aldag Finds the Sacred in What’s Been Left Behind

    By Arden McKennaAugust 8, 2026

    Michael Aldag has spent his career looking at Southern Illinois the way most people only…

    Denmaz 48: Shaping Contemporary Digital Art Through Color and Vector Illustration

    July 26, 2026

    I Ketut Jaya (Kaprus): Preserving Balinese Spiritual Heritage Through Contemporary Painting

    July 26, 2026

    Marina Ogai: Painting Identity, Memory, and Belonging Across Cultures

    July 26, 2026
    Top Trending
    About

    Global Art Story looks past the usual art capitals to cover creative work from a wider set of regions and traditions. Each feature treats an artist's cultural context as part of the work itself, not a footnote. It's written for readers who want their understanding of contemporary art to include more of the world than it usually does.

    Best Reads

    Art in America Launches “New Talent” Issue Live

    July 7, 2026

    Unpacking the Ageist Myths of Western Art

    June 28, 2026

    Art Toronto, Canada’s Biggest Fair, Turns Its Attention to Indigenous Artists

    June 13, 2026
    Featured Stories

    Michael Aldag Finds the Sacred in What’s Been Left Behind

    August 8, 2026

    Denmaz 48: Shaping Contemporary Digital Art Through Color and Vector Illustration

    July 26, 2026

    I Ketut Jaya (Kaprus): Preserving Balinese Spiritual Heritage Through Contemporary Painting

    July 26, 2026
    • Home
    • Artists Worldwide
    • International Desk
    • Exhibitions
    • Culture
    • Perspectives
    • Reviews
    Copyright © 2026 All Rights Reserved.

    Type above and press Enter to search. Press Esc to cancel.